Shure KSM32 Cardioid Condenser Microphone - Embossed Single-Diaphragm Side-Address Mic with Extended Frequency Response for Highly Critical Studio Recording and Live Sound Productions - Charcoal

Product Description An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source. From the Manufacturer The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source. Features:Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range. Embossed, high-compliance diaphragm provides extended low-frequency response. Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response 15 dB attenuation switch for handling extremely high sound pressure levels (SPL) Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect. Integrated three-stage pop protection grille reduces "pop" and other breath noise Internal shock mount reduces transmission of handling noise Performance Characteristics:Extended frequency response Very low self-noise Exceptional low-frequency reproduction High output level High input SPL capability No cross-over distortion Extremely uniform polar response Superior common mode rejection and suppression of radio frequency interference Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed. Voice -- solo, background, voice-over, broadcasting Acoustic instruments -- such as piano, guitar, drums, percussion, strings Wind instruments -- brass and woodwind Low frequency instruments -- such as double bass, electric bass, kick drum Overhead miking -- drums or percussion Ensembles -- choral or orchestral Room ambiance pick-up -- guitar amplifier or drums Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.

• Cardioid polar pattern
• Low frequency filter virtually eliminates background noise
• Utilizes an embossed, ultra-thin, high-compliance Mylar diaphragm
• Shure-quality construction and pop protection
• 15dB switches pad for very high input SPL sources